The wonder and imagination of Walt Disney meets some of the most beloved classical masterpieces ever composed in this timeless extravaganza of sight and sound.

The passionate and heart-wrenching Intermezzo from Pietro Mascagni’s opera, Cavalleria rusticana, memorably sets the stage in the opening credits of Raging Bull. 7 provides the perfect backdrop to the climactic moment of The King’s Speech, the music’s ever-growing volume and intensity paralleling King George’s VI bourgeoning self-assurance. The second movement of Beethoven’s Symphony No. The Shining’s opening theme, composed for the film by Wendy Carlos and Rachel Elkind, was based on the medieval hymn Dies Irae (“Day of Wrath”) and inspired by Berlioz’s iconic use of the theme in Symphonie fantastique. In Stanley Kubrick’s chilling psychological-horror classic, Jack Torrance’s descent into insanity is underscored by some of the most terrifyingly imaginative works of the 20 th century, including Bartók’s ghostly Music for Strings, Percussion, and Celesta and music of Polish composer Krzysztof Penderecki. The film is packed with Mozart masterpieces, including excerpts from The Marriage of Figaro, Don Giovanni, and, most famously, Mozart’s Requiem.īartók, Music for Strings, Percussion, and Celesta Winner of 8 Academy Awards, Amadeus interweaves the life of Wolfgang Amadeus Mozart with that of Antonio Salieri for a gripping meditation on the nature of genius-in all its mysterious, awe-inspiring, unpredictable glory. Und dem Reichtum der musikalischen Erfindung und Ausdrucksgebung.We’re kicking off Classical Music Month with 10 movies that feature classical favorites! Die Gründe dafür mögen vielfältiger Natur sein, liegen aber gewiss primär bei der Kraft Seit es 1941 als erstes der kirchenmusikalischen Werke des Komponistenĭurch Druck veröffentlicht wurde, erfreut es sich der besonderen Gunst der Musizierenden Wie kaum ein zweites Werk hat das Gloria D-Dur RV 589 dazu beigetragen, den Ruf Vivaldis als Kirchenkomponist Sie ließenĭeutlich werden, dass der Komponist gerade auf diesem Sektor Werke höchsten künstlerischen Während einer Vivaldi-Woche in Siena 1939 wurden geradezu als Sensation empfunden. DieĮrsten Wiederaufführungen solcher Werke, darunter das Gloria RV 589 und das Credo RV 591, Mess- und Vesperkomposition bis zum biblischen Oratorium und zur Solomotette reicht. Sorgte dabei ein großer Bestand an geistlicher Vokalmusik, dessen Repertoire von der groß angelegten Jahrhundert ging einher mit der Neuentdeckungīisher völlig unbekannter Schaffensbereiche des Komponisten. Very few alterations have been made to the choral parts, so that the new edition can be used in combination with the previous choral score (Carus 40.001/05) without any problems.ĭie Wiederbelebung der Musik Antonio Vivaldis im 20. carus plus: Vocal score XL, Carus Choir Coach and carus music, the choir app.Foreword and Critical Report reflect the latest research.

Vivaldi’s mastery is shown in the solemn, sonorous choral movements and equally in the more chamber music-like solo movements. This musically impressive work in the style of a so-called 'cantata mass' is divided into 12 sections which vary in scoring, style of setting, key, and emotional content. The Gloria was probably written between 17 for the Ospedale della Pietà, one of the orphanages in Venice where young girls received a thorough musical training. The music has been newly engraved, and a new Foreword and Critical Report by Uwe Wolf reflect the latest research. 1 have now been subject to a thorough revision. The music and text sections of the Carus edition no. The Carus edition, the publisher’s inaugural music edition, helped considerably to turn this musically impressive and varied work into one of Vivaldi’s most popular choral works today. The Gloria in D major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions.

Hymn set to music by vivaldi and haydn